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Some of the poetic texts on this website will be discussed in class; others
have to be read and understood basing on the critical texts made available by
the instructor and listed at the corresponding pages of this website.
The reading list below contains novels: of these, 7 have to be read
independently by the students; novels are accompanied by critical texts, which constitute part of the obligatory
reading for the course.
All critical texts (with the exception of those available on the Internet)
are available on a CD provided by the instructor).
All this will be tested in the course.
For the mid-term test (3):
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Forster A Passage to India
Edward Said, Comments on A Passage to India, in Culture and
Imperialism
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Galsworthy Man of Property.
Geoffrey Harvey, Introduction to The Forsyte Saga
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Greene Brighton Rock
Bernard Bergonzi, How did Hale die? A footnote to Brighton Rock
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Hardy Jude the Obscure
Frank R. Giordano Jr., Jude Fawley: "Why Died I Not from the Womb?"
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Joyce Portrait of an Artist as a Young Man
Irene Hendry Chayes, Joyce's Epiphanies
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Lawrence The Rainbow
Fiona Becket, The Rainbow
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Woolf The Waves
Michael Tratner, Ideology and Literary Form in 'The Waves'
For the final test (4):
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Bradbury Rates of Exchange
Robert A. Morace, Rates of Exchange: The Liberal Novelist's Quarrel
with the French Algebraists
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Burgess Clockwork Orange
Geoffrey Aggeler A Clockwork Orange
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Golding Rites of Passage
Paul Crawford Historiographic Metafiction, Preromanticism, and the Ship
of Fools
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Fowles The French Lieutenant’s Woman
Katherine Tarbox 'The French Lieutenant's Woman' and the evolution of
the narrative
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Ishiguro The Remains of the Day
The
Remains of the Day
on Postcolonial Web (Sections: Genre & Mode, Characterization, Imagery,
Setting, Narrative, Leading Questions)
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Lodge Small World
Frederick A. Holmes, The Reader as Discoverer in David Lodge's Small
World
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Rushdie Midnight’s Children
Josna E. Rege Victim into protagonist? 'Midnight's Children' and the
post-Rushdie national narratives of the Eighties
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Waugh, Brideshead Revisited.
David Rothstein 'Brideshead Revisited' and the modern historicization of
memory.
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